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Originally posted by Johnny Difool

Zašto su postarali prekrasnu Diane Lane?
Ovako se neću igrati!

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Originally posted by DeeCay

I djetinjstvo i porijeklo i fajt protiv generala Zoda, sve u jednom filmu.

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Originally posted by Windwalker

Kaj ak ih na kraju sve spojimo, dobijemo cijeli film?

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Question: What was your vision for "Superman" that got this rolling?
David Goyer: Chris (Nolan) and I were working on "The Dark Knight Rises" and we reached writers' block. Chris said, "Let's break for a week and just clear our palettes and then come back." I was tooling around in my office and I just picked up some old "Superman" comic books, started reading them. For about an afternoon I just had this notion for a "Superman" story. At this point, I think they were developing another version with someone else anyway, so I just randomly wrote a couple of pages, maybe three or four pages of a "Superman" movie. Without giving too many spoilers away, it just occurred to me that the story that I was interested in seeing was the story that was about—we knew Kal was an alien, but what made him actually assume this Superman identity and put on a costume? What made him decide, "Oh, I'm going to actually present myself to the world and be a superhero"? I realized that if the world became aware that Kal existed, it would be a first contact story, and in many ways, it would be the biggest thing that ever happened in human history. It would change the world forever, just the sheer fact that he existed on the planet and then subsequently, the knowledge of what he could do, it would force the religions of the world to respond. There would be fear. There would be awe, just the sheer fact that he existed would be the biggest story that ever happened in human history. I realized at least cinematically they'd always just kinda jumped over that, you know? I loved the Donner film, but in the Donner film, he sorta walks up into the north and he throws a crystal and then he comes out of the fortress and he's in his costume. Then it's like, "Oh, there's a guy." There's just no—everyone just is like, "Oh, that's cool. This guy can do all this. Fine." Then, "Superman Returns" just assumed that you knew all the Donner films as well, and they just jumped over what I thought to me would literally—like I said—be the single most important event in human history. So I had more of the idea worked out, but that was the initial starting point. So I came back to Chris and he said, "So did you crack....?" We were having a problem with the third act in "The Dark Knight Rises." He said, "Did you figure it out?" I said, "No, but I have this idea for ‘Superman.'" He said, "Oh, all right, fine, what is it?" So, I spent about 20 minutes telling him this story and he said, "Wow! That's really cool. Do you want me to produce it?" I said, "Oh, I don't even know that they're doing something else." He said, "Well, let's call ‘em up." He literally called Jeff Robinov up and said, "Goyer just pitched me a take for ‘Superman.' We have to do this. I want to produce it. He wants to write it. We need to come in and tell you it." We came in in a couple of days. I told Robinov and Alan Horn at the time what I told Chris. The next day they scuttled all the other plans that they were doing and made me a deal and I started slowly writing. From that point onward, Chris and I then started doing what we did on—what we do on the "Batman" films. We use index cards for the movie. So that's about a two month process. Chris and I do really extensive index cards and we meet usually three times a week and we just do board after board after board of index cards where Chris and I beat everything out. Then I went and wrote a treatment and then I started writing and that was the movie. Again, I don't want to give too much away, but it was really about—this story centers around the fact that the world finds out that Superman exists and he then has to - when we refer to him as an alien, we refer to him as Kal, and when we refer to him as a human, we refer to him as Clark. He then has to grapple with, in effect, does he want to be Kal or does he want to be Clark? That's his sort of cross to bear in this story. It's the story of two fathers, Jor-El and Jonathan.

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Originally posted by brni

Ono sto je katastrofa jest izostavljanje ikone stripa Jimmya Olsena..

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Originally posted by supermark

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Originally posted by brni

Ono sto je katastrofa jest izostavljanje ikone stripa Jimmya Olsena..

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meni inače ide na živce ubacivanje previše likova u film, na silu
samo zato da ih se spomene
čak kad i pogledam ovaj gore trailer čini mi se kao da je previše toga nabacano u priču

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Originally posted by Ernie Pike

LA Times je prije nekoliko dana objavio kratki razgovor s Zackom Snyderom i Nolanom o mogucem Justice League filmu. Iako nije nista gotovo, Snyder je rekao da u Univerzumu njegovog filma postoje i drugi DC superheroji.
Ako Man of Steel bude uspjesan, a sva predvidjanja govor da ce biti, mislim da je JL odgovor Avengersima neizbjezan.

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Originally posted by Felagund

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Originally posted by Ernie Pike

LA Times je prije nekoliko dana objavio kratki razgovor s Zackom Snyderom i Nolanom o mogucem Justice League filmu. Iako nije nista gotovo, Snyder je rekao da u Univerzumu njegovog filma postoje i drugi DC superheroji.
Ako Man of Steel bude uspjesan, a sva predvidjanja govor da ce biti, mislim da je JL odgovor Avengersima neizbjezan.

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Pa najavljen je JL za 2015-u, a koliko sam vidio glavni neprijatelj bi trebao biti : http://tinyurl.com/p9o8bd6

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