| Author |
 Topic  |
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
 Posted - 15/09/2018 : 22:00:23
|
Elizabeth Taylor photographed by Gianni Bozzacchi , 1972 (x) Gianni Bozzacchi took this
photo with a Leica M2 that Elizabeth had just given him. Her scene in X, Y and Zee (1972)
called for her to run off camera, and he caught this image from his vantage point backstage.
Richard Burton was so taken by the shot that he was moved to compose a short poem about it.
Wiki: Elizabeth Rosemond Taylor
https://de.wikipedia.org/wiki/Elizabeth_Taylor |
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 05/10/2018 09:08:55 |
 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 15/09/2018 : 22:16:42
|
Cream - White Room (1968) HQ
MUNROWS RETRO
The autumn of 1968 was a time like no other during the decade of the 60's. If 1967 was the Summer of Love,
1968 was the Summer of Revolution ... everything reaching a saturation point beyond all imagination, and the
music reflected it as well. Autumn 1968 was the culmination of everything the decade had ever produced, culturally,
artistically, socially ... all crushed and condensed into the wildest musical season perhaps in history. It marked both
a climax and a new dawn, with freedom of expression finally reaching its highest ascendancy.
Out of that wondrous autumn cauldron came a number of monster hits and songs, including the famous double-sided
single by The Beatles, "Hey Jude" and "Revolution." Included in the matrix was this song by the short-lived super band
from Britain, Cream. Their biggest and best hit in my opinion: "White Room."
The song was recorded over a series of sessions between July 1967 and June 1968, then released in August on the
Wheels Of Fire double album. A shorter single edit was also created for AM radio play in September (USA) and in
January 1969 (UK). In America, the song peaked at #6 on Billboard on November 9, 1968 and #5 on Cash Box on
November 23, 1968. This is the album version, over five minutes in length.
Wiki: White Room (song)
https://de.wikipedia.org/wiki/White_Room
|
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 05/10/2018 10:37:28 |
|
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 15/09/2018 : 22:17:24
|
Promotional picture of the Fourth Doctor et al in front of the United States Embassy to publicize the series beginning to air on various PBS stations in America circa 1978.
Taken from Starlog Magazine (O’Quinn Studios Inc/1981) |
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 01/10/2018 23:58:52 |
|
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 15/09/2018 : 22:20:53
|
H632 General Purpose Digital Computer System (Honeywell Information Systems, Inc.) 1968
|
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 04/10/2018 22:19:58 |
|
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 15/09/2018 : 22:26:22
|
U2 - HOLD ME, THRILL ME, KISS ME, KILL ME (1995)
VITER SUTAR
This is a 1995 single by U2 from the Batman Forever soundtrack album. A number-one single in
their home country of Ireland, the single reached number two on the UK Singles Chart, number
sixteen on the Billboard Hot 100, and number one on the Billboard Album Rock Tracks and Modern
Rock Tracks charts. Bono described it as being about "being in a rock band" and "being a star".
Wiki: Hold Me, Thrill Me, Kiss Me, Kill Me (song)
https://de.wikipedia.org/wiki/Hold_Me,_Thrill_Me,_Kiss_Me,_Kill_Me |
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 05/10/2018 11:40:02 |
|
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 15/09/2018 : 22:32:58
|
“What made the Raincoats different from other bands at the time is that we really, really believed in a, kind of,
punk ethos. I suppose the fact that we were women, and the fact that we had some inkling about what we wanted
as women as well. We wanted things to be different. We didn’t want to have to wear short skirts in order to have
people think what we did was great. There was a series of pieces about women in music at the time in glossy magazines,
and they’d have pictures of all these all-girl bands and they all looked terribly glamorous. And there was a picture of us in
funny old jumpers, looking like we’d just got out of bed and hadn’t brushed our hair.” |
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 15/09/2018 23:46:33 |
|
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 19/09/2018 : 08:30:56
|
bradelterman says:
My hands were literally trembling when I took this frame of Bob Dylan with Ronee Blakley backstage at The Roxy in 1976.
I was a teenager and I was so nervous. Dylan could sense this so he shook my hand and did his best to make me feel at
ease. He told me and I will quote him now, “you look like me”! He also was very curious to know how much I would make
on the photos of him. That was almost 35 years ago and I swear, if I live to be a very old man, I will never forget my moments with Bob Dylan. NEVER!
Photo by Brad Elterman
|
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 22/09/2018 11:15:39 |
|
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 19/09/2018 : 08:32:36
|
King Crimson - Starless (1974)
....................................................................................................................................................................................................................................................................................................................................................................................
MUNROWS RETRO
Along with Pink Floyd, Jethro Tull, Procol Harum, and other progressive rock bands from Britain in the late 60's/early 70's, there was THIS group
that I began to follow with interest at that time. King Crimson became yet another unique band I would be sharing with friends along with the
above-mentioned and others. However, once In The Court Of The Crimson King and In The Wake of Poseidon became fond memories as a different
sound began to emerge from the band in 1973, I pretty much gave up on ever hearing the sort of work that were the hallmarks of those first two LPs.
Then came the big surprise in summer 1975 when I purchased their album Red. Released in 1974, it was not well-received at the time, but it nevertheless
became one of my favorites, and my friends and I placed it as highly as King Crimson's first two albums. One song in particular captured my attention
more than any other on the LP: "Starless." It had that beautiful, haunting ethereal sound one could only find on the first two albums. To hear that wonderful
sound again in 1975 was like being visited by an old friend. Bear in mind that the passing of three or four years to a 21-year-old in those shifting times was
like a decade's passage or more to a much older adult. "Starless" (the final track on Red) was both a hello and a goodbye. Red would be the band's last studio
recording of the 1970s before leader Robert Fripp temporarily disbanded the group.
The original lyrics and melody for "Starless" were written by the now late John Wetton (d. January 31, 2017) whose vocal is eerily similar in style to Greg Lake's
(also recently deceased) in "Epitaph" from In The Court of the Crimson King. I essentially use the elements in the song that create serenity, tension, foreboding,
free form jazz dance, and intense resolution to create a mood piece that agrees with these aspects in a visual manner. There may be a million ways to do this
song .. this is but one.
Wiki: King Crimson (group)
https://de.wikipedia.org/wiki/King_Crimson |
+IN HOC SIGNO VINCES+
|
Edited by - Tutta on 04/10/2018 22:37:57 |
|
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
|
|
Topic |
|
OLDIES FOREVER / MUSIC / CARS / MOVIES & Chicas!
...
...
.
.
.
......
...
