"Our Wolrds at War" se sastoji od: Action Comics #780-782 The Adventures of Superman #593-595 Batman #593-594 Batman: Our Worlds at War #1 The Flash: Our Worlds at War #1 Green Lantern: Our Worlds at War #1 Harley Quinn: Our Worlds at War #1 Impulse #77 JLA: Our Worlds at War #1 JSA: Our Worlds at War #1 Nightwing: Our Worlds at War #1 Superboy vol. 3, #89-91 Supergirl vol. 4, #59-61 Superman vol. 2, #171-173 Superman: Our Worlds at War Secret Files #1 Superman: The Man of Steel #115-117 Wonder Woman vol. 2, #171-173 Wonder Woman: Our Worlds at War #1 World's Finest: Our Worlds at War #1 Young Justice #35-36 Young Justice: Our Worlds at War #1.
Što je od ovga main event, a što samo dodaci tj. događanja određenih junaka unutar rata?
It would not be difficult, Mein Führer. Nuclear reactors could - heh, I'm sorry, Mr. President - nuclear reactors could provide power almost indefinitely.
nisam znao kud bi sa pitanjem pa završi ovdje-da li je sutra redovno radno vrjeme za libelus i snk -zbunjuje me ovo za neki produženi vikend na tv-u pa da ne poljubim vrata hvala
Iz intervjua sa Alom Williamsonom, godina je 1984. Boldovani deo se odnosi na "Strip art" ili nesto drugo?
WILLIAMSON: The syndicates are a bunch of morons, most of them, because they don’t know what they’ve got. They don’t give a damn: they just sell stuff. I’ll give you an instance: Flash Gordon by Alex Raymond. Alex did it for 10 years, from 1934 to 1944. Ten years and four months of it. And that stuff has kept King Features going for the last 50 years. First, when Raymond was doing it, and then the movies, and then the reprints in Europe. And the reprints in Europe with Raymond’s stuff is that every two or three years they come out with a new reprint of the same stuff, and you know King Features is making money off that. But they don’t give a shit. When we were doing the Nostalgia Flash Gordon book, do you know what they gave us to do? They gave us to reproduce from Xeroxes, bad ones. Not Xeroxes — Photostats. They were blown up from microfilm. That’s what we had, that they gave us. Luckily, I had a set in black and white, and we got the missing stuff from Mrs. Raymond.
RINGGENBERG: You helped assemble the volumes?
WILLIAMSON: Yes.
RINGGENBERG: What did you think of the color volumes they came out with?
WILLIAMSON: They were awful. Let me tell you something. We just got a letter from a publisher in Yugoslavia, who just bought the rights to print Star Wars in Europe. They’re going to do it in magazine form, with super color. Do you know what that miserable syndicate sent them?
RINGGENBERG: What?
WILLIAMSON: Bad Xeroxes to shoot from. And they’re paying top dollar.