johnhartson
Senior Member
Serbia
2814 Posts
Member since 17/10/2003 |
Posted - 08/01/2006 : 16:09:12
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Kao sto ime kaze pokusao sam da hronoloski napravim redosled desavanja u pricama Mr Noa. Buduci da otprilike polovinu stripova koje pominjem nisam citao, mozda se potkrala koja greska koju bi valjalo ispraviti. Pazio sam da pratim redosled zbivanja a radi lakseg razumevanja iskopirao sam opise epizoda sa SBE-a. Dakle:
PRE RATA:
1. C'ERA UNA VOLTA A NEW YORK
Subject and Script-Writer: Maurizio Colombo Artwork: Giovanni Bruzzo Cover illustration: Roberto Diso
Maxi Mister No 1999, annual C'era una volta a New York
Manhattan, 1936. In the New York of the Great Depression, a restless young boy called Jerry Drake is growing up. He is the lucky mascot for the gigantic "Train" Kovalsky, the greatest street boxer of the day. And he is dangerously fascinated by the gangster Frankie "Messacantata" Nigro, who is his coach. Will Jerry become an "honest boy" like him?
2. UN GIOVANE AMERICANO*
Subject and Script-Writer: Michele Masiero Artwork: Fabio Valdambrini Cover illustration: Roberto Diso
Speciale Mister No n. 13, annual Un giovane americano
United States, late nineteen-thirties. Mister No is a young sixteen year old. His father is sentenced to prison for murder, and so Jerry decides to leave New York and catches a train to adventure. He finds it in Des Moines and he also finds new friends, a new love, and another bitter disappointment
---------------------------------------------------------------------------------------------------------------------------------------------- RAT:
1. VENTO DI GUERRA*
Soggetto e sceneggiatura: Luigi Mignacco Disegni: Franco Bignotti Copertina: Roberto Diso
Mister No n. 145 , mensile Vento di guerra
Mister No meets an old friend, Larry Tree. In a bar in Manaus, chatting to the beautiful Flor and a young Argentinean, he tells how he became the first hero of the legendary Flying Tigers. It all began in September of 1940, when, in Caniff Field, he met Bat Barlington
Mister No n. 146 , mensile Le Tigri Volanti
Mister No continues to tell about when he was contacted by Bill Carson, who was part of the American Volunteer Group of the Colonel Chennault, a group of mercenaries (in reality, authorized by the American government) that fought for General Chang Kai-Shek in China. Jerry and Bat accepted Carson’s suggestion and joined the future Flying Tigers Mister No n. 147 , mensile Cielo giallo
Mister No’s story of the past in the Flying Tigers reaches its climax. Colonel Chennault needed six men for a special mission in China. Mister No and Bat Barlington were among these six. In China, Jerry took part in his first air battles and saw the real nature of war
Mister No n. 148 , mensile Il mio nome #232; Mister No
In front of a attentive public, in a Manaus bar, Mister No is about to finish his story of his past adventures. Wounded in an air battle, he was given first aid and then found himself in a village where the mysterious Colonel Kung held sway. He flirted with the beautiful Li Chao. But Kung turned out to be an enemy, Li Chao was hiding a secret and, for the first time, Jerry would be called Mister No!
2. MR NO VA ALLA GUERRA*
Soggetto e sceneggiatura: Guido Nolitta Disegni: Roberto Diso Copertina: Gallieno Ferri
Mister No n. 52 , mensile Mister No va alla guerra
The thirst for revenge eats away at Senator Redford from Texas, who is convinced that Mister No killed his son George during the Second World War, when the two young men were officers in the American air force in the Philippines. Redford is about to get rid of Jerry with the help of two killers when our hero, to clear his name, begins to recollect what really happened
Mister No n. 53 , mensile Quel maledetto ponte
Mister No and the young Redford could not have been more different: Mister No frank and rebellious, Redford an arrogant rich kid. But, sometimes, war brings out the best in men...and during the dangerous mission to destroy the bridge over the river Pampanga, while fighting against the Japanese, the two became friends!
3. PRIGGIONERO DI GUERRA
Soggetto e sceneggiatura: Luigi Mignacco Disegni: Domenico e Stefano Di Vitto Copertina: Roberto Diso
Mister No n. 225 , mensile Prigioniero di guerra
Alan Chambers, an ex fellow soldier of Mister No, is about to come to Manaus and Jerry tells his friends at the bar the story of how they met. It was in 1941 in the Philippines. After meeting Alan, Jerry was captured by the Japanese in Bataan and taken to a prison camp, where he met the Englishman Jimmy Collins
Mister No n. 226 , mensile Eroi senza gloria
While Alan Chambers becomes familiar with the Amazon forest, Jerry remembers the time when, during the war, he escaped from the labor camp in which the Japanese had detained him and completed a dangerous mission. But the soldiers of the Rising Sun punished the other prisoners severely as a result of his escape
4. GUADALCANAL!
Soggetto e sceneggiatura: Luigi Mignacco Disegni: Fabrizio Busticchi e Luana Paesani Copertina: Roberto Diso
Mister No n. 301 , mensile Guadalcanal!
Mister No is on holiday in Rio with his friend Patricia. He sees an old acquaintance, Doctor Sandy Wang, whom he met during the war when she was just a girl. Mister No is overcome with a wave of memories. He tells Patricia about the time when, in ’42, he was sent to Guadalcanal. There he found Alan Chambers again, whom he already knew, and the tough Steve Malloy and Phil Mulligan, although in the beginning he didn’t like the latter. But then, during a difficult mission he changed his mind about him
Mister No n. 302 , mensile Una stagione all'inferno
Guadalcanal,1942. There is a suicide mission for Mister No, Phil Mulligan, Alan Chambers and Steve Mallory. They have to infiltrate the Japanese lines, in the jungle, and recover an important secret services officer who has fallen into the hands of the enemy, Colonel Stark! Mister No n. 303 , mensile Sulle tracce di mister Kaplan
Colonel Stark involves Mister No and his comrades in a “mission impossible”: to find professor Leon Kaplan, physicist of international fame, who is hiding on a Pacific Island after having interrupted his studies on a new powerful bomb. But the Japanese are also looking for him
5. IL RE DI PAPUA*
Subject: Guido Nolitta Subject AND Script-Writer: Luigi Mignacco Artwork: Domenico e Stefano Di Vitto Cover illustration: Roberto Diso
Almanacco dell'Avventura 1995, annual Il re dei Papua
Second World War. The plane transporting Mister No and his fellow soldiers from Guadalcanal to Port Moresby is forced to make an emergency landing. The Americans disembark on a strange island whose inhabitants are commanded by Eyke, an ex Nazi sailor who is in league with the Japanese. Sinister and ruthless, worshiped by his followers, Eyke is the King of Papua!
6. UNO STRANIERO A REDENCION (short)
Soggetto e sceneggiatura: Maurizio Colombo Disegni e copertina: Roberto Diso
Mister No n. 248 , mensile Uno straniero a Redención
Redención, Mexico. It is a sort of Shan-gri-l#224; of crime populated with criminals on the run. They hope to live in luxury, surrounded by beautiful women, but the city belongs to the cruel El Jefe, who takes possession of their money and exploits them, preventing them from leaving the city. That is, until Mister No arrives in Redención
Mister No n. 249 , mensile Terra senza legge
It’s time for the showdown between Mister No and El Jefe, the gangland boss of Redención who has kidnapped Barrett, Jerry’s old friend, and who tortures those who oppose him by subjecting them to the arts of a crazy Nazistoid doctor. Ishikawa himself also arrives in Redención, and this marks a turning point in his relationship with Mister No
7. STORIA DI UN EROE*
Subject AND Script-Writer: Luigi Mignacco Artwork: Ferdinando Tacconi Cover illustration: Roberto Diso
Almanacco dell'Avventura 1996, annual Storia di un eroe
Its name is Rigoletto. It is an Italian plane, an S.M: 79 torpedo bomber of the "Sparrow hawk" class. Mister No saved its life (that is to say, he avoided what would have been a crash due to engine break-down) during the war. Many years later, Jerry Drake discovers that planes know how to be grateful
8. IL DEMONE ETRUSCO*
Soggetto e sceneggiatura: Guido Nolitta Disegni e copertina: Roberto Diso
Mister No n. 131 , mensile Attacco suicida
In Guayaquil, in Ecuador, Mister No has been beaten up for having exposed some pedlars of fake archaeological finds. Confined to a hospital bed, he tells his friend Patricia all about his adventures on the Italian front during the war and how he came into contact with the fascinating world of the ancient Etruscans
Mister No n. 132 , mensile Il demone etrusco
As the secretary of Captain Stafford, Mister No meets the beautiful young countess Claudia Sinisbaldi. But a storm is looming: some American soldiers take advantage of their free time and dedicate themselves to unlawful archaeological excavations. They are mysteriously killed
Mister No n. 133 , mensile Il bosco sacro
It wanders at night among the Etruscan ruins, it murders the desecrators and places in their mouths a statuette of the terrible demon Tuchulca. Who is it? A man or an infernal being? The answer will leave Mister No dumbfounded
9. ARDENNE 1945.
Subject and Script-Writer: Michele Masiero Artwork and Cover illustration: Roberto Diso
Almanacco dell'Avventura 1998, annual Ardenne 1945
Atlantic City, 1945. Mister No recalls his last battle in the Second World War. It was in the Ardennes with a group of youngsters, commanded by the young sergeant Ethan Owen. All except Jerry were young and inexperienced, and the military leaders entrusted them with a suicide mission!
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1. LE IENE
Soggetto e sceneggiatura: Alberto Ongaro Disegni e copertina: Roberto Diso
Speciale Mister No n. 9, annuale Le iene
1945 No sooner out of the military hospital in Atlantic City than Mister No has to go Albuquerque, in New Mexico, to deliver an affidavit in which a man officially admits to being the father of the individual named in the document. This enables the son of his deceased hospital ward companion, Mark Hollister, and of the Indio, Lathia, to inherit his father’s vast fortune. But the inheritance attracts others
2. UNA STORIA DEL WEST*
Subject and scriptwriter: Michele Masiero Artwork: Giuseppe Viglioglia Cover illustration: Roberto Diso
Speciale Mister No n. 15, annual Una storia del West
Mt. Cerro Puerto de Lajas is a sacred mountain in the Apache tradition. It’s here that Monty, Mister No’s Native American friend, wants to have his ashes scattered... And so, together with the young Apache John Kanteka Smith, Mister No sets out on a journey in quest of a glorious past that can never come back again. And what makes everything even more complicated is the meeting with a couple of brutal robbers who need two hostages in order to cross the border into Mexico...
3. HELL'S ANGELS
Subject and Script-Writer: Stefano Marzorati Artwork: Paolo Bisi Cover illustration: Roberto Diso
Speciale Mister No n. 14, annual Hell's Angels
1947. In Southern California, Mister No meets the Hell’s Angels (a motorcycle gang) headed by John Turner, the so called Sonny, and allows himself to get caught up in their roaming and poetic life (they’re war veterans who have difficulty settling down again in civilian life), and in their bloody fight against Chino’s Satan’s Slaves
4. LA MAFIA NON PERDONA*
Soggetto e sceneggiatura: Guido Nolitta Disegni: Roberto Diso Copertina: Gallieno Ferri
Mister No n. 76 , mensile La mafia non perdona
A melancholy Neapolitan song brings back to Mister No’s mind a past event. In 1948, together with his ex-fellow soldier Mallory, an FBI agent, he received an assignment to recover a letter containing information that was highly compromising for the American army. The letter held the revelation that the landing of the Allied troops in Sicily, in 1943, was assisted by the mobster Lucky Luciano. The pair search for the letter in Positano, near Naples, but they are challenged by a local crime godfather, a certain Angiolillo
Mister No n. 77 , mensile Morire a Capri
The path towards Lucky Luciano’s letter is strewn with corpses. The mobster Angiolillo dies, simple "Neapolitan urchins" die, and Steve Mallory is badly wounded in the leg. As a result, Mister No continues his search alone, reaching splendid Capri, where a new character enters the scene
5. LE NOTTI DI NEW YORK*
Soggetto e sceneggiatura: Guido Nolitta Disegni: Roberto Diso Copertina: Gallieno Ferri
Mister No n. 72 , mensile Le notti di New York
Mister No tells Esse-Esse about the time when, some years before, in 1949, he was in New York. He had saved an old lady from some purse-snatchers, handing one of them over to the police. But, one night, a few days later, he was assaulted by a gang of bikers, veritable "warriors of the night", who wanted to get revenge for this "breach of the code"
Mister No n. 73 , mensile Sangue sulla neve
Having ended up on the black list of Jackie and his gang of bikers, the "New Barbarians", Jerry accepts the advice of his friend Detective Phil Mulligan and chooses to leave New York until things have calmed down. He moves to Aspen, in Colorado, with an old fellow soldier Alan Chambers, who is a State Park ranger. But Alan is in love with a married woman, Jane Hendrix
Mister No n. 74 , mensile Un piano diabolico
David Hendrix, Jane’s husband – Jane is the women loved by the ranger Alan Chambers - is killed. Chambers points the finger of accusation at himself! But Mister No knows it wasn’t him and does everything possible to clear his name. In the end he discovers a villainous conspiracy
6. GLI OSTAGGI*
Soggetto e sceneggiatura: Alfredo Castelli Disegni: Roberto Diso Copertina: Gallieno Ferri
Mister No n. 87 , mensile Gli ostaggi
Mister No goes to a bank with his friend Carmensa just at the very moment when a gang of thieves burst in, led by a nervous individual. Mister No discovers that it is Ratso, a young man he met years before in New York. The police have surrounded the bank and Jerry tries to keep the robbers quiet by telling them all about his meeting with Ratso
Mister No n. 88 , mensile La citt#224; del crimine
After the adventure at Aspen, Mister No returns to New York, but he finds that the situation is not as rosy as he might have liked. The mobster Masulli, who is in league with the corrupt Captain Williams, holds the city in thrall, and life is hard for Jerry (also because his Detective friend Phil Mulligan has been killed by Masulli’s men!). Ratso asks him to collaborate in staging a false kidnapping – of Ratso himself - designed to worm money out of his rich father.
Mister No n. 89 , mensile I gangsters
Mister No saves Ratso form the kidnappers, who had decided to transform the bogus kidnapping into the real thing, and then moves to the counterattack. He tries to strike a blow at Masulli’s organization and, above all, at one of his men, Jackie, the head of a gang of bikers who hate Mister No. A resurrection from the dead gives him a hand
Mister No n. 90 , mensile Corsa verso la morte
In the past, we witness the final show-down between Mister No and Jackie (and it is Ratso who saves Mister No’s life). In the present, the net is closing in on Ratso. The police are bent on killing him and Mister No is accused of abetting. But the cowardly, spoilt, neurotic Ratso will have a sudden resurgence of pride.
7. IL SOLDATO SENZA NOME
Subject and Script-Writer: Luigi Mignacco Artwork: Domenico and Stefano Di Vitto
Speciale Mister No n. 11, annual Il soldato senza nome
Nevada desert, 1950. A still disappointed Mister No meets the characters that will change his life: Jonathan Eden and the young Oliver. From the former he will copy his look, (the famous sweater with a four-leafed clover), while thanks to the second, Mister No (in a certain sense) will fight in Korea!
8. DARK LADY
Subject and Script-Writer: Guido Nolitta Artwork and Cover illustration: Roberto Diso
Speciale Mister No n. 6, annual Dark lady
S#227;o Luis do Maranh#227;o, 1950. Mister No has just arrived in Brazil and is strongly attracted by the alluring local beauties. But the most attractive woman is the blonde and enigmatic foreigner, Wendy Robertson: Her driver is Esse-Esse: it is their first meeting and the beautiful Wendy involves him in a passionate affair, friendship and death
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Until the colour of a man's skin is of no more significance than the colour of his eyes - me say war
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