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SWEEPINGS (Basura). This he is comic written by Carlos I beat where the graphical and narrative quality is to the same height. With this I do not want to be inferior to the other collaborators of J. Giménez, nor either the past graphical of this author, but the certain thing is that this history is really interesting. The designs are splendid, like their treatment, the great scenes of that future that as much it likes this artist, peculiar very appropriate clothes to the argument, a succession of images which they attract the reader, a planned affluent continuity, altogether a splendid work. A search that hardly has a easy resolution.

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As Joseph Toutain comments to us very well in the prologue, Juan Giménez is consolidated like a great colorista within the group of Argentine authors who acquire great reputation in the decade of the 80 of the last century, simultaneously of great sketcher and worthy scriptwriter. In this series of short stories, compiled in a volume by Publishing Toutain, drawn all by Giménez, three of them guionizados by he himself and both remaining by other authors (Lorenzo Diaz guionizando “Princess Dormida” and Emilio Balcarce the story of “the Factories”), Toutain warns to us of the color used by Giménez: “The blue one oxidized by terroso ocher, broken by the estridente color of a label, an explosion of dissonant tones…”, and is that this author is dominating an absolute one of that so difficult technique that is to know how to transmit and to shape the appropriate tones and textures according to histories that are wanted to count. And that use that makes of the watercolor applied to science fiction is deserving, one and thousand times, of being stressed and being recognized by all as if about a skillful lesson it was the teacher at the time of visualizing the future fantasy in colors. Already entering the brief commentaries that I am going to do of its stories reflected here, we see in first of them, “Eternal Game. Genetic Doping electro bio” the passion of the author, we would say extreme, by the representation of machines of all type that accompanies and will accompany all its later work (airplanes, helicopters, motos, unimaginable mechanical engendros, to more fantastic which), transporting to us, with this design of fantastic devices, to a future that still it has to come. And all this “destructive” technology that shows continuously in this story, so that it is used, whereupon aim? Merely to comprise of a game. But, what produces in Giménez to get to have this compulsive passion by the illustration of fantastic machines of all type and condition? It is more, how grasps them to design them so well? In “Princess Dormida” the use of the technology more outpost serves to solve the psychological problems that cling in the mind of the patients, locking up them in its own imaginary world. This history remembers to me and it makes think about the film carried out by Jennifer Lopez me, “the Cell”, which follows a pattern similar to introduce itself in other people's mind, where everything can indicate that possibly it was influenced of some way by this story of Giménez. Here vi#241;etas in black and white matches mixing in real time and present, with vi#241;etas to all color when the protagonist introduces itself in the fantastic world that exists in the mind of the girl protagonist. And to get to eradicate the root problem, it will have to comprise of a game, of what and of whom? In “the factories”, which “Matrix”, the men are mere laborers used like mentally ill workers to produce and to produce for its masters, in cruel conditions, you cold and opresivas. This conflict between slaves and tyrants, at what it will end? Hay something more behind which at first we are able to see and to discern? You read this history and you will realize that everything is not what it really seems, at all. In “Playing” we realize the infinitely insignificant thing that we are within the context of all the well-known universe. We are like a microscopic dust speck in the infinity of the Space well-known and the one that still is about to to know. We are the dominant race as we want to believe or really we are the dominated ones? In “Transcooter” a scientist rejected socially by the society uses the technology in his own benefit, to repeat pleasant situations for him time and time again, as if “Catched in the time” he was. But, that looks for of the feeling to want and to be beloved, of being somebody and to manage that they respect to him, to move threads and not to be a simple unsuitable marionette, to play with the feelings of one same one and the others by simple convenience, is sufficient to take the total happiness to the individual? In summary, another turn of stories of the Giménez teacher, like complete author, and others only to the drawing, that demonstrates that capacity to us of synthesis that it transmits, that condition of story tellers, and that dominion that demonstrate in the work creation between the fantastic thing and science fiction. Few authors he has nowadays know to make us dream since he does (and he has done it), causing whom we end up asking to us at the end of everything, is the life really a game of which we comprised? We played with her or is she the one that plays with us?

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"Drago and his sister Camilla, two vampires out for carnage, have come to avenge the death of their father and exterminate one prominent and powerful branch of their kin. The answer to this threat comes in the form of Aznar Akeba, descendant of the same branch as our two vicious avengers. In the middle, Inspector Lenore and her partner Benito Biaggi try to unravel the struggle and keep it from reaching anarchic proportions! An hallucinatory tale of horror, eroticism and thrilling action with breathless gothic imagery."

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On a remote planet and near at the same time, draws up in the jungle a Maya city where people of amazones prevail. In this world of women a caste of men remains: priests, alone abilities required male descendants - intended for the priesthood - to the warlike ones. Of all the other unions only the girls can survive. Mysteriously, this universe will interfere with our contemporary world. Oona gives rise to a couple of twins. It agree to sacrifice one, but mask of it the other. Carrying her son, it flees in the forest where a troop of conquistadors carried out by the Sarango lord kills it. The conquistadors take along the child and join their base, a spaceship in the middle of the jungle.

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"Dixie Road is a tale of murder, retribution and brutal mob rule during the Great Depression in Louisiana. Nadine Vreeland, running from her wealthy family's legacy, works at the Fisherman's Dream, a fishery where hundreds of employees are striking for higher wages. Calling herself Mrs. Jones, Vreeland becomes a strike organizer, attracting the attention of the lecherous boss Duchamp, who uncovers her true identity. Meanwhile, Nadine's daughter, Dixie, as self-assured and adventurous as her mother, poses for a nude portrait as a gift to Louis, a young black man and friend a dangerous gesture for a young white girl's reputation and even more dangerous to Louis's life in the Depression-era deep South. When Jones, Dixie's father and a petty criminal, returns home fresh from a bank heist carrying a valise stuffed with cash, his murderous partner is not far behind, looking for more of the loot and leaving a trail of corpses, including the son of boss Duchamp. The Joneses are blamed for the murder, and soon they are on the run from the Vreeland family's private detectives, from the union-busting boss and his vigilantes and from the local police. Labiano draws lush, detailed full-color depictions of the era, and his beautifully rendered scenes of giant oaks, winding dirt roads and sleepy rivers belie the web of violent misunderstandings that underpin Dufaux's tightly written and well-paced story."

"Fleeing Louisiana into Alabama with her dads bank robbery cash in pocket, Dixie#185;s family tries to settle down again and make a fresh start. Her Dad#185;s impulses, however, make him incapable of holding onto the money, from generous donations to gambling. Worse yet, he gets robbed... by none other than a crooked cop. Also, Dixie runs into author James Agee and photographer Walker Evans who chronicled the Depression and the plight of tenant farmers in the South and a bit of history is made...
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Originally posted by misokvc

http://cbrforums.picsandstuff.com/index.php

ovaj forum je od prije dan ili dva u rekonstrukciji.

Archer 99 je prešao na taj forum.



Postoji još jedan, koji je sada alternativa gore navedenom:

http://komics-live.com/SMF/index.php

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http://cbrforums.picsandstuff.com/index.php

ovaj forum je od prije dan ili dva u rekonstrukciji.

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El guión es sencillo, sin complicaciones y tal vez muy tópico, pero no deja de ser una excusa para disfrutar de uno de los mejores artistas de habla hispana, y es que Juan Giménez es uno de los grandes, no solo por su nivel grafico, sino por el entusiasmo que desempe#241;a en todo lo que hace dotándolo de entidad propia como esta simple historia de aventureros espaciales. Y esto no solo no se nota en el cari#241;o que pone en el ambiente de estos mundos, sino que el hombre se molesta en mostrarnos los dise#241;os de las naves y equipos, como si fueran reales, esto solo lo he vuelto a ver en la obra de Masamune Shirow, #191;estos detalles serán los que los convierten en genios?. Lo dicho obra entretenida y muy disfrutable en lo grafico, haber si Norma se decide y lo edita para que todo el mundo lo pueda disfrutar, pues la edición Toutain será difícil de encontrar a estas alturas.

The script is simple, without complications and perhaps very topical, but it does not stop being an excuse to enjoy one of the best artists of Hispanic speech, and is that Juan Giménez is one of the great ones, not only by its graphical level, but by the enthusiasm that carries out in everything what does equipping it with own organization like this simple history of space adventurers. And this not only not note in the affection that puts in the atmosphere of these worlds, but that the man is bothered in showing the designs to us of the ships and equipment, as if they were real, this single it I have returned to see in the work of Masamune Shirow, these details will be those that turn them geniuses. The this work entertained and very disfrutable in the graph, salary if Norm is decided and published it so that everybody can enjoy it, because the Toutain edition will be difficult to find at this point.

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hxxp://rapidshare.com/files/30507439/La_Estrella_Negra__Ricardo_Barreiro_y_Juan_Gimenez_.cbz

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"The first in a series of European graphic novels brought to the U.S. by Dark Horse Comics, Blood Ties features the stunning art of Hermann. He is one of Europe`s leading comic artists and the creator of Jeremiah, The Towers of Bois-Maury, Caatinga, Nick, Sarajevo Tango, Wild Bill, and many others. While investigating a series of horrible crimes, junior detective Sam Leighton discovers the squalid reality of the big city. The murders are the work of Joe Beaumont -- a man as powerful as he is paranoid. Joe only appears in public to attend the shows of his beautiful wife Gladys, an alcoholic and a frustrated cabaret dancer. Sam`s mysterious partner, Phillip Meadows, puts Gladys in Sam`s way hoping that she will lead them to Beaumont regardless of the danger to Sam!"

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hxxp://rapidshare.com/files/29949935/Hermann_-_Blood_ties.cbz

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Six from Sirius is a comic-book limited series created by Doug Moench and Paul Gulacy and published by Epic Comics in 1984. It was followed by a sequel series in 1986 titled Six from Sirius II.

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"Created in 1984, Six From Sirius featured the incredible pairing of writer/creator Doug Moench and artist/creator Paul Gulacy! The pair - best known for their collaborative run on Marvel Comics' The Master of Kung Fu, among other comic classics - created the series for Marvel's Epic imprint back in the mid-80s. The series, featuring the intergalactic adventures of a team of agents, combined action, intrigue and suspense, all against the backdrop of that final frontier - space!
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hxxp://rapidshare.com/files/30055291/Six_from_Sirius_v1_01-04.rar
hxxp://rapidshare.com/files/30057111/Six_from_Sirius_v2_01-04__c_.rar

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Originally posted by misterx381

@ nivaldo

www.parodija.com

ali samo pocetkom meseca.

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hxxp://rapidshare.com/files/32889955/Why_the_Knights_Disappeared_-__Trillo_Domingues_.cbr

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Originally posted by Raven84

Hej majstori (znate ko ste)! Vidim da nalazite puno rijetkih stripova, pa me zanima jel bi mozda znali di se mogu nac stripovi o Remu, takoder znanom kao Destroyer. To je cak svojedobno izaslo u Hrvatskoj al nikad to nisam uspio nac. Sjecam se dva broja, jedan je o nekim teroristima sto zele unistiti Kip Slobode sa nekom cudnom masom, a drugi o frajeru koji ima stroj za izazivanje potresa. Trazio sam svugdje po netu, al nikad to nisam uspio nac. Mislim da je bilo jos brojevao njemu. Hvala unaprijed!

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