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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
 Posted - 30/12/2014 : 18:04:00
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Latischa of the Lost World
by Rex Edwards & Alex Horley
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(1&2)
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(3&4)
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(5&6)
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(7&8)
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(9&10)
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(11&12)
(13)
To Be Continued !!!
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+IN HOC SIGNO VINCES+
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Edited by - Tutta on 27/10/2019 22:31:54 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 30/12/2014 : 18:05:58
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MILO MANARA
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+IN HOC SIGNO VINCES+
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Edited by - Tutta on 27/10/2019 22:34:58 |
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Tintilinic
Senior Member
2955 Posts
Member since 15/07/2013 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tintilinic
Senior Member
2955 Posts
Member since 15/07/2013 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 03/01/2015 : 14:32:47
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Die Welt der Bilderfrauen
Edition Aleph Heroldsbach (1986)
Achim Schnurrer / Riccardo Rinaldi
Cover:
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Based on over 160 pictures documenting the band the varied appearance of women in comics. From the early classics to modern comic art image of women is examined.
The authors establish the necessary connections to social and political reality. In addition, with this band information is provided for the classification of individual characters,
series and character types in the context of the development history of comics. A developing story that ultimately exemplify the development of our modern media in general is.
Thus, an excellent way to draw conclusions on the current social, political and social reality can.
Specifically, the volume deals with:
a) A storybook dolls and comic Sophistin, the teenagers - the Coca Cola generation among the comic hero, comic bride, the better half, the old ....
b) In addition, be examined: the adventurer, the superhero, the barbarian, the vamp, the nymph and the image of women in the current comic art.
c) The soap opera, Barbarella and Co., the sexy girls and all those comics that are only available under the counter, if any, are also highlighted how
the comic artists, their work and their understanding of the problem.
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Info:
https://www.nordbayern.de/region/forchheim/achim-schnurrer-und-die-bosen-traume-des-dr-crime-1.3647363 |
+IN HOC SIGNO VINCES+
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Edited by - Tutta on 30/10/2019 21:39:19 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 04/01/2015 : 10:20:56
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The Best of Paul Renaud
Cover:
 Hardcover / 64 pages
Format: 28,7 x 21,7 cm (Only pictures / No texts)
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Info: Paul Renaud
http://en.wikipedia.org/wiki/Paul_Renaud |
+IN HOC SIGNO VINCES+
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Edited by - Tutta on 27/10/2019 23:09:25 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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trolodtroje
Advanced Member
3271 Posts
Member since 14/09/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 07/01/2015 : 13:18:08
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The Art of Dejah Thoris and the Worlds of Mars
Cover:
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Info: Dejah Thoris is the Princess of Mars and the wife of John Carter, the Warlord of Mars.
Issue 25
Info:
http://www.dynamite.com/htmlfiles/pressrelshow.html?display=PR09051367042 |
+IN HOC SIGNO VINCES+
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Edited by - Tutta on 28/10/2019 20:32:42 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 07/01/2015 : 22:16:03
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Portfolio "Donne e Motori"
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+IN HOC SIGNO VINCES+
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Edited by - Tutta on 28/10/2019 20:52:40 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 09/01/2015 : 19:50:42
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THIS WEEK IN COMICS!
(We Lost the Eisner, So Looks Like I Can Finally Post Some Smut)
Well, I’ve made it through another Comic-Con without watching any exclusive movie trailers (or, for that matter, attending Comic-Con), and as a result I feel a
bit divorced from the cinema landscape. The last preview I saw was for 50 Shades of Grey, which did an efficient job of approximating a 1990s Gregory Dark
feel for a series of books which have sold eleven kajillion copies in spite of my never having met a single person, online or off, who will admit to liking them. Truly,
cinematic BDSM has declined from the high standards of Phil Prince (don’t click that, it’s gross).
Even here, I retreat to comics. Eric Stanton, I trust, is familiar to many of you; he is among the most famous purveyors of
bondage comics from the latter half of the 20th century, and a famous compatriot of the great Steve Ditko, with whom he
shared a studio on 8th & 43rd, NYC, for much of the 1960s. Ditko has a reputation as a law-and-order kind of guy, so it’s enlightening
to realize that he was carrying a good deal of pornography in his studio during a time when the legality of such work was frequently
questioned – and why not? It’s work created for free exchange between persons. In Taschen’s massive 1997 collection, The Art of Eric Stanton:
For the Man Who Knows His Place, Stanton even describes a late-’60s police raid on the studio, for which he was not present; no word on Ditko’s attendance!
It is important, however, not to mistake Stanton for somebody like William Moulton Marston, the creator of Wonder Woman and himself a keen disciple of discipline.
Marston believed that to be bound was to become an actor in the betterment of human society; Stanton, in contrast, was more interior, often creating his art in collaboration
with with own fans as a means of inhabiting their fantasies and making them real, in a way. “If it’s interesting,” Stanton told Eric Kroll, in the Taschen book, “even dealing
with homosexuality or transvestism, if its [sic] well written, I can’t help but enjoy it.” Indeed, Stanton created some male homosexual work, as well as the sort of risible,
rape-tinged female submission work that’s remained popular enough with a certain breed of superhero fan to inspire prominent parodies today, like the Adam Warren series Empowered.
There was no apparent political concern with Stanton – only sensation. Elsewhere in the book a series of work product documents are reproduced, tracking a lengthy,
detailed collaboration with a commissioning party, always making numerous suggestions about story direction, writing directly on Stanton’s roughs, all willingly –
“my god,” I thought, “he’s being dommed by his writer! He’s a true believer!”
There is another, even better Stanton book from Taschen – 1998’s Eric Stanton: The Dominant Wives & Other Stories, a 768-page(!) compendium of color and
b&w comics, many of them in the mode that “Eric Stanton” has since become indivisible from: powerful women humiliating men. A personal favorite can be glimpsed above:
“Anita’s Fight”, in which a proud, impoverished Puerto Rican woman (actually named Juanita) attempts to shoulder insults with dignity. The text of the
story is crass, peppered with slurs and threats, and dim in its portrait of human nature. Nonetheless, it’s written with some thought – the dog, for instance, is a key motif, introduced
by way of a racist local boy’s yappy little pet taking a shit on the sidewalk outside of Juanita’s building (an event rendered as explicitly as everything else). The
mongrel even bites our heroine’s foot, prompting her to mash the pet around in its own shit to the dismay of the loathsome boy, who immediately runs off to fetch his dad.
This is something of a hybrid work, blending male and female domination. At first, the boy’s bully father takes advantage of Juanita, assaulting her in front of
an appreciative crowd of local scum. For Stanton, we must remember, psychological humiliation is as crucial as physical pain – nobody attempts to help Juanita,
because we all, in the end, are just meat for the pleasure of others. And naturally, her beloved mother sees everything, helpless and horrified – the men delight in exposing
Juanita sexually to his own parent!
But this is a feint, a necessary prelude to Stanton’s true mission. Foreplay. Before long, an enraged Juanita begins to fight back. She socks the man in the eye, pummels
him in the belly. “Through the haze, he sees his son watching the contest in wide-eyed distress…” muses a caption. Miraculously, Juanita’s hair transforms from
black to a fiery red as she becomes more and more dominant. Always, her large breasts are prominent through a sheer blouse. The bully father is not similarly sexualized, and
this too is important.
In her introduction to the ’98 book, Dian Hanson writes about working at a sex magazine in the mid-’70s, and coming across Stanton’s work for the first time.
Initially, she took great pleasure in work she’d assumed was feminist in nature, but while the pleasure remained, she soon understood that this was not Stanton’s objective – “sexual politics
were the only kind that held his interest.” And by ‘sexual politics,’ I take it to mean interpersonal dynamics. Look closely at the image above. Look at the son, screaming in agony.
“FIGHT HER!” he cries, not his only dismayed exclamation in the story. If his father had dominated a woman before, it was merely to establish the status quo – a recognizable one, still in
place today. The deviation, then — the woman’s dominance — is the usurping of this criterion, and how traumatic it is! This kid sees his dad as not even a man, but a dog. The basis of his masculine
pride, the way he lived his life – it’s all an illusion. His parent can’t be a role model anymore. He is alone and untethered in a chaotic world that cares for nobody – the crowd cheers Juanita
as hard as they did her assailant.
But do not mistake this for revolution. Stanton is not saying that women should be dominant, that patriarchal
standards should be torn down. On the contrary, patriarchal standards must absolutely remain in place, because the failure of men to live up to them is so fucking hot.
Remember, these are fantasies of men! Of communion with beautiful, busty women! Of receding from society’s demands of achievement, of FAILING, and deriving
pleasure from failure. And everything else, all of burdensome biases of male domination, can remain unmoved.
This is the peril of freighting sexual entertainment with revolutionary expectations. You cannot tame the bear. You cannot always direct desire in a
socially fruitful direction, because eros is fueled, often, by transgression, and what is transgression is what is personal, and one person’s image
of power can be another’s delight in aberration. Even polemics can be perverted – quite easily, though Stanton only wielded polemic as a means of
better vivifying the sex dreams of his clientele. You can, of course, control your own space. To look across the studio is to see Ditko,
whispering that you can conduct your own affairs in a way that is ethical. You can enter into exchanges with anyone you want, and allow them their liberty.
You can observe, as did Eric Stanton, rationally inhabiting the erotic space of his admirers, and calculating their best avenue to climax. |
+IN HOC SIGNO VINCES+
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Edited by - Tutta on 28/10/2019 22:07:04 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
Posted - 12/01/2015 : 15:49:11
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Miss 130
Publisher: Mangasutra (Edition Bikini im Verlag Kult Editionen)
Drawings: Chiyoji Tomo
Text: Chiyoji Tomo
Format: Paperback - Solid color and four-color
Genre: Eroticism
Country of origin: Japan
Vol. 1
Softcover / 96 pages
Vol. 2
Softcover / 80 pages
Vol. 3
Info:
"Miss 130" is a collection of erotic short stories.
It's about blackmail, incest, whores and cranial sisters, but always about women who are willing. The men are
sometimes just horny old bucks that exploit the women.
Graphically, Chiyoji Tomo loves women with big bust size and draws them with a fabulously sweet expression.
The men get away with him graphically worse.
Otherwise, the manga is drawn in great detail. The last two stories are colored in full color on the coputer.
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Sample:
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+IN HOC SIGNO VINCES+
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Edited by - Tutta on 07/11/2019 16:33:35 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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Tutta
Advanced Member
Germany
32401 Posts
Member since 19/02/2010 |
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SEX IN THE COMIX
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