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going going
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izivko
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Germany
12516 Posts
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 Posted - 25/07/2020 : 09:23:09
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2020 EISNER AWARD WINNERS
BY WES GREER on July 24, 2020
2020 Eisner Award Winners
Best Short Story
WINNER: "Hot Comb," by Ebony Flowers, in Hot Comb (Drawn & Quarterly)
NOMINEES:
"Hot Comb," by Ebony Flowers, in Hot Comb (Drawn & Quarterly)
"How to Draw a Horse," by Emma Hunsinger, The New Yorker, https://www.newyorker.com/humor/daily-shouts/how-to-draw-a-horse
"The Menopause," by Mira Jacob, The Believer, https://believermag.com/the-menopause/
"Who Gets Called an 'Unfit' Mother?" by Miriam Libicki, The Nib, https://thenib.com/who-gets-called-an-unfit-mother/
"You're Not Going to Believe What I'm About to Tell You," by Matthew Inman, The Oatmeal, https://theoatmeal.com/comics/believe
Best Single Issue/One-Shot
WINNER: Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
NOMINEES:
Coin-Op No. 8: Infatuation, by Peter and Maria Hoey (Coin-Op Books)
The Freak, by Matt Lesniewski (AdHouse)
Minotäar, by Lissa Treiman (Shortbox)
Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
Sobek, by James Stokoe (Shortbox)
Best Continuing Series
WINNER: Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)
NOMINEES:
Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)
Criminal, by Ed Brubaker and Sean Phillips (Image)
Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)
Daredevil, by Chip Zdarsky and Marco Checchetto (Marvel)
The Dreaming, by Simon Spurrier, Bilquis Evely et al. (DC)
Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José et al. (Marvel)
Best Limited Series
WINNER: Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)
NOMINEES:
Ascender, by Jeff Lemire and Dustin Nguyen (Image)
Ghost Tree, by Bobby Curnow and Simon Gane (IDW)
Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)
Naomi by Brian Michael Bendis, David Walker, and Jamal Campbell (DC)
Sentient, by Jeff Lemire and Gabriel Walta (TKO)
Best New Series
WINNER:
Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)
NOMINEES:
Doctor Doom, by Christopher Cantwell and Salvador Larocca (Marvel)
Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)
Once & Future, by Kieron Gillen and Dan Mora (BOOM! Studios)
Something Is Killing the Children, by James Tynion IV and Werther Dell'Edera (BOOM! Studios)
Undiscovered Country, by Scott Snyder, Charles Soule, Giuseppe Camuncoli, and Daniele Orlandini (Image)
Best Publication for Early Readers
WINNER: Comics: Easy as ABC, by Ivan Brunetti (TOON)
NOMINEES:
Comics: Easy as ABC, by Ivan Brunetti (TOON)
Kitten Construction Company: A Bridge Too Fur, by John Patrick Green (First Second/Macmillan)
The Pigeon HAS to Go to School! by Mo Willems (Hyperion Books)
A Trip to the Top of the Volcano with Mouse, by Frank Viva (TOON)
¡Vamos! Let's Go to the Market, by Raúl the Third (Versify/Houghton Mifflin Harcourt)
Who Wet My Pants? by Bob Shea and Zachariah Ohora (Little, Brown)
Best Publication for Kids
WINNER: Guts, by Raina Telgemeier (Scholastic Graphix)
NOMINEES:
Akissi: More Tales of Mischief, by Marguerite Abouet and Mathieu Sapin (Flying Eye/Nobrow)
Dog Man: For Whom the Ball Rolls, by Dav Pilkey (Scholastic Graphix)
Guts, by Raina Telgemeier (Scholastic Graphix)
New Kid, by Jerry Craft (Quill Tree/HarperCollins)
This Was Our Pact, by Ryan Andrews (First Second/Macmillan)
The Wolf in Underpants, by Wilfrid Lupano, Mayana Itoïz, and Paul Cauuet (Graphic Universe/Lerner Publishing Group)
Best Publication for Teens
WINNER: Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O'Connell (First Second/Macmillan)
NOMINEES:
Harley Quinn: Breaking Glass, by Mariko Tamaki and Steve Pugh (DC)
Hot Comb, by Ebony Flowers (Drawn & Quarterly)
Kiss Number 8, by Colleen AF Venable and Ellen T. Crenshaw (First Second/Macmillan)
Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O'Connell (First Second/Macmillan)
Penny Nichols, by MK Reed, Greg Means, and Matt Wiegle (Top Shelf)
Best Humor Publication
WINNER: The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)
NOMINEES:
Anatomy of Authors, by Dave Kellett (SheldonComics.com)
Death Wins a Goldfish, by Brian Rea (Chronicle Books)
Minotäar, by Lissa Treiman (Shortbox)
Sobek, by James Stokoe (Shortbox)
The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)
Wondermark: Friends You Can Ride On, by David Malki (Wondermark)
Best Anthology
WINNER: Drawing Power: Women's Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)
NOMINEES:
ABC of Typography, by David Rault (SelfMade Hero)
Baltic Comics Anthology š! #34-37, edited by David Schilter, Sanita Muižniece et al. (kuš!)
Drawing Power: Women's Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)
Kramer's Ergot #10, edited by Sammy Harkham (Fantagraphics)
The Nib #2–4, edited by Matt Bors (Nib)
Best Reality-Based Work
WINNER: They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)
NOMINEES:
Good Talk: A Memoir in Conversations, by Mira Jacob (One World/Random House)
Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)
Kid Gloves: Nine Months of Careful Chaos, by Lucy Knisley (First Second/Macmillan)
Moonbound: Apollo 11 and the Dream of Spaceflight, by Jonathan Fetter-Vorm (Hill & Wang)
My Solo Exchange Diary, vol. 2 (sequel to My Lesbian Experience with Loneliness), by Nagata Kabi, translation by Jocelyne Allen (Seven Seas)
They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)
Best Graphic Album—New
WINNER: Are You Listening? by Tillie Walden (First Second/Macmillan)
NOMINEES:
Are You Listening? by Tillie Walden (First Second/Macmillan)
Bezimena, by Nina Bunjevac (Fantagraphics)
BTTM FDRS, by Ezra Claytan Daniels and Ben Passmore (Fantagraphics)
Life on the Moon, by Robert Grossman (Yoe Books/IDW)
New World, by David Jesus Vignolli (Archaia/BOOM!)
Reincarnation Stories, by Kim Deitch (Fantagraphics)
Best Graphic Album—Reprint
WINNER: LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)
NOMINEES:
Bad Weekend by Ed Brubaker and Sean Phillips (Image)
Clyde Fans, by Seth (Drawn & Quarterly)
Cover, vol. 1, by Brian Michael Bendis and David Mack (DC/Jinxworld)
Glenn Ganges: The River at Night, by Kevin Huizenga (Drawn & Quarterly)
LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)
Rusty Brown, by Chris Ware (Pantheon)
Best Adaptation from Another Medium
WINNER: Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)
NOMINEES:
Giraffes on Horseback Salad: Salvador Dali, the Marx Brothers, and the Strangest Movie Never Made, by Josh Frank, Tim Hedecker, and Manuela Pertega (Quirk Books)
The Giver, by Lois Lowry and P. Craig Russell, (HMH Books for Young Readers)
The Handmaid's Tale: The Graphic Novel, by Margaret Atwood, adapted by Renee Nault (Nan A. Talese)
HP Lovecraft's At the Mountains of Madness, vols. 1–2, adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)
The Seventh Voyage, by Stanislaw Lem, adapted by Jon Muth, translation by Michael Kandel (Scholastic Graphix)
Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)
Best U.S. Edition of International Material
WINNER: The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)
NOMINEES:
Diabolical Summer, by Thierry Smolderen and Alexandre Clerisse, translation by Edward Gauvin (IDW)
Gramercy Park, by Timothée de Fombelle and Christian Cailleaux, translation by Edward Gauvin (EuroComics/IDW)
The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)
Maggy Garrisson, by Lewis Trondheim and Stéphane Oiry, translation by Emma Wilson (SelfMadeHero)
Stay, by Lewis Trondheim and Hubert Chevillard, translation by Mike Kennedy (Magnetic Press)
Wrath of Fantômas, by Olivier Bouquet and Julie Rocheleau, translation by Edward Gauvin (Titan)
Best U.S. Edition of International Material—Asia
WINNERS: Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media) and Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)
NOMINEES:
BEASTARS, by Paru Itagaki, translation by Tomo Kimura (VIZ Media)
Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)
Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)
Magic Knight Rayearth 25th Anniversary Edition, by CLAMP, translation by Melissa Tanaka (Kodansha)
The Poe Clan, by Moto Hagio, translation by Rachel Thorn (Fantagraphics)
Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)
Best Archival Collection/Project—Strips
WINNER: Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)
NOMINEES:
Cham: The Best Comic Strips and Graphic Novelettes, 1839–1862, by David Kunzle (University Press of Mississippi)
Ed Leffingwell's Little Joe, by Harold Gray, edited by Peter Maresca and Sammy Harkham (Sunday Press Books)
The George Herriman Library: Krazy & Ignatz 1916–1918, edited by R.J. Casey (Fantagraphics)
Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)
Madness in Crowds: The Teeming Mind of Harrison Cady, by Violet and Denis Kitchen (Beehive Books)
Pogo, Vol. 6: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)
Best Archival Collection/Project—Comic Books
WINNER: Stan Sakai's Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)
NOMINEES:
Alay-Oop, by William Gropper (New York Review Comics)
The Complete Crepax, vol. 5: American Stories, edited by Kristy Valenti (Fantagraphics)
Jack Kirby's Dingbat Love, edited by John Morrow (TwoMorrows)
Moonshadow: The Definitive Edition, by J. M. DeMatteis, Jon J Muth, George Pratt, Kent Williams, and others (Dark Horse Books)
Stan Sakai's Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)
That Miyoko Asagaya Feeling, by Shinichi Abe, translation by Ryan Holmberg, edited by Mitsuhiro Asakawa (Black Hook Press)
Best Writer
WINNER: Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)
NOMINEES:
Bobby Curnow, Ghost Tree (IDW)
MK Reed and Greg Means, Penny Nichols (Top Shelf)
Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)
Lewis Trondheim, Stay (Magnetic Press); Maggy Garrisson (SelfMadeHero)
G. Willow Wilson, Invisible Kingdom (Berger Books/Dark Horse); Ms. Marvel (Marvel)
Chip Zdarsky, White Trees (Image); Daredevil, Spider-Man: Life Story (Marvel); Afterlift (comiXology Originals)
Best Writer/Artist
WINNER: Raina Telgemeier, Guts (Scholastic Graphix)
NOMINEES:
Nina Bunjevac, Bezimena (Fantagraphics)
Mira Jacob, Good Talk (Random House); "The Menopause" in The Believer (June 1, 2019)
Keum Suk Gendry-Kim, Grass (Drawn & Quarterly)
James Stokoe, Sobek (Shortbox)
Raina Telgemeier, Guts (Scholastic Graphix)
Tillie Walden, Are You Listening? (First Second/Macmillan)
Best Penciller/Inker or Penciller/Inker Team
WINNER: Rosemary Valero-O'Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)
NOMINEES:
Ian Bertram, Little Bird (Image)
Colleen Doran, Snow, Glass, Apples (Dark Horse)
Bilquis Evely, The Dreaming (DC)
Simon Gane, Ghost Tree (IDW)
Steve Pugh, Harley Quinn: Breaking Glass (DC)
Rosemary Valero-O'Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)
Best Painter/Digital Artist
WINNER: Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)
NOMINEES:
Didier Cassegrain, Black Water Lilies (Europe Comics)
Alexandre Clarisse, Diabolical Summer (IDW)
David Mack, Cover (DC)
Léa Mazé, Elma, A Bear's Life, vol. 1: The Great Journey (Europe Comics)
Julie Rocheleau, Wrath of Fantômas (Titan)
Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)
Best Cover Artist
WINNER: Emma Rios, Pretty Deadly (Image)
NOMINEES:
Jen Bartel, Blackbird (Image Comics)
Francesco Francavilla, Archie, Archie 1955, Archie Vs. Predator II, Cosmo (Archie)
David Mack, American Gods, Fight Club 3 (Dark Horse); Cover (DC)
Emma Rios, Pretty Deadly (Image)
Julian Totino Tedesco, Daredevil (Marvel)
Christian Ward, Machine Gun Wizards (Dark Horse), Invisible Kingdom (Berger Books/Dark Horse)
Best Coloring
WINNER: Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)
NOMINEES:
Lorena Alvarez, Hicotea (Nobrow)
Jean-Francois Beaulieu, Middlewest, Outpost Zero (Image)
Matt Hollingsworth, Batman: Curse of the White Knight, Batman White Knight Presents Von Freeze (DC); Little Bird, November (Image)
Molly Mendoza, Skip (Nobrow)
Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)
Best Lettering
WINNER: Stan Sakai, Usagi Yojimbo (IDW)
NOMINEES:
Deron Bennett, Batgirl, Green Arrow, Justice League, Martian Manhunter (DC); Canto (IDW); Assassin Nation, Excellence (Skybound/Image); To Drink and To Eat, vol. 1 (Lion Forge); Resonant (Vault)
Jim Campbell, Black Badge, Coda (BOOM Studios); Giant Days, Lumberjanes: The Shape of Friendship (BOOM Box!); Rocko's Modern Afterlife (KaBOOM!); At the End of Your Tether (Lion Forge); Blade Runner 2019 (Titan); Mall, The Plot, Wasted Space (Vault)
Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Heroes in Crisis, Superman: Up in the Sky, Superman's Pal Jimmy Olsen (DC); Bitter Root, Pretty Deadly, Moonstruck, Redlands, The Wicked + The Divine (Image); Reaver (Skybound/Image); Daredevil, Ghost-Spider, Silver Surfer Black, Superior Spider-Man, Venom (Marvel)
Emilie Plateau, Colored: The Unsung Life of Claudette Colvin (Europe Comics)
Stan Sakai, Usagi Yojimbo (IDW)
Tillie Walden, Are You Listening? (First Second/Macmillan)
Best Comics-Related Periodical/Journalism
WINNER: Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com
NOMINEES:
Comic Riffs blog, by Michael Cavna, www.washingtonpost.com/entertainment/comics/
The Comics Journal, edited by Gary Groth, RJ Casey, and Kristy Valenti (Fantagraphics)
Hogan's Alley, edited by Tom Heintjes (Hogan's Alley)
Inks: The Journal of the Comics Studies Society, edited by Qiana Whitted (Ohio State University Press)
LAAB Magazine, vol. 4: This Was Your Life, edited by Ronald Wimberly and Josh O'Neill (Beehive Books)
Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com
Best Comics-Related Book
WINNER: Making Comics, by Lynda Barry (Drawn & Quarterly)
NOMINEES:
The Art of Nothing: 25 Years of Mutts and the Art of Patrick McDonnell (Abrams)
The Book of Weirdo, by Jon B. Cooke (Last Gasp)
Grunt: The Art and Unpublished Comics of James Stokoe (Dark Horse)
Logo a Gogo: Branding Pop Culture, by Rian Hughes (Korero Press)
Making Comics, by Lynda Barry (Drawn & Quarterly)
Screwball! The Cartoonists Who Made the Funnies Funny, by Paul Tumey (Library of American Comics/IDW)
Best Academic/Scholarly Work
WINNER: EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)
NOMINEES:
The Art of Pere Joan: Space, Landscape, and Comics Form, by Benjamin Fraser (University of Texas Press)
The Comics of Rutu Modan: War, Love, and Secrets, by Kevin Haworth (University Press of Mississippi)
EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)
The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, edited by Andrew Blauner (Library of America)
Producing Mass Entertainment: The Serial Life of the Yellow Kid, by Christina Meyer (Ohio State University Press)
Women's Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi et al. (Palgrave Macmillan)
Best Publication Design
WINNER: Making Comics, designed by Lynda Barry (Drawn & Quarterly)
NOMINEES:
Grunt: The Art and Unpublished Comics of James Stokoe, designed by Ethan Kimberling (Dark Horse)
Krazy Kat: The Complete Color Sundays, by George Herriman, designed by Anna-Tina Kessler (TASCHEN)
Logo a Gogo, designed by Rian Hughes (Korero Press)
Madness in Crowds: The Teeming Mind of Harrison Cady, designed by Paul Kopple and Alex Bruce (Beehive Books)
Making Comics, designed by Lynda Barry (Drawn & Quarterly)
Rusty Brown, designed by Chris Ware (Pantheon)
Best Digital Comic
WINNER: Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)
NOMINEES:
Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)
Black Water Lilies, by Michel Bussi, adapted by Frédéric Duval and Didier Cassegrain, translated by Edward Gauvin (Europe Comics)
Colored: The Unsung Life of Claudette Colvin, by Tania de Montaigne, adapted by Emilie Plateau, translated by Montana Kane (Europe Comics)
Elma, A Bear's Life, vol. 1: The Great Journey, by Ingrid Chabbert and Léa Mazé, translated by Jenny Aufiery (Europe Comics)
Mare Internum, by Der-shing Helmer (comiXology; gumroad.com/l/MIPDF)
Tales from Behind the Window, by Edanur Kuntman, translated by Cem Ulgen (Europe Comics)
Best Webcomic
WINNER: Fried Rice Comic, by Erica Eng, https://friedricecomic.tumblr.com
NOMINEES:
Cabramatta, by Matt Huynh
Chuckwagon at the End of the World, by Erik Lundy,
The Eyes, by Javi de Castro,
Fried Rice Comic, by Erica Eng,
reMIND, by Jason Brubaker,
Third Shift Society, by Meredith Moriarty |
Have mercy |
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Peyo
Advanced Member
Croatia
10349 Posts
Member since 28/10/2005 |
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Peyo
Advanced Member
Croatia
10349 Posts
Member since 28/10/2005 |
Posted - 25/07/2020 : 13:22:36
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Ovdje imamo među predloženima čak 3 Fibrina naslova:
Best U.S. Edition of International Material
WINNER: The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)
NOMINEES:
Diabolical Summer, by Thierry Smolderen and Alexandre Clerisse, translation by Edward Gauvin (IDW)
Gramercy Park, by Timothée de Fombelle and Christian Cailleaux, translation by Edward Gauvin (EuroComics/IDW)
The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)
Maggy Garrisson, by Lewis Trondheim and Stéphane Oiry, translation by Emma Wilson (SelfMadeHero)
Stay, by Lewis Trondheim and Hubert Chevillard, translation by Mike Kennedy (Magnetic Press)
Wrath of Fantômas, by Olivier Bouquet and Julie Rocheleau, translation by Edward Gauvin (Titan)
Nadam se ovom Trondheimu u Fibrinom izdanju:
http://theartsstl.com/stay-magnetic/
Mali preview:
https://www.bdgest.com/preview-2474-BD-je-vais-rester-recit-complet.html
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Edited by - Peyo on 25/07/2020 13:23:07 |
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Shaner
Advanced Member
Croatia
7268 Posts
Member since 24/09/2012 |
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anto
Advanced Member
Serbia
21125 Posts
Member since 29/06/2008 |
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Deers
Advanced Member
Croatia
9399 Posts
Member since 29/03/2004 |
Posted - 29/07/2020 : 18:30:25
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Ah, da nema tog čovjeka, trebalo bi ga izmisliti. Još jedan odličan Biuk. Iako i dalje koristi klasične motive underdoga koji pokušava balansirati između očekivanja i želja opet pogađa u srž sa živopisnim likovima i životnim situacijama. Iako mi je i dalje Pumfi nenadmašan ovim se opasno približio, i puno bolje mi je sjeo od Denija Sparine. |
"Trzaj mišica i nad prazninom sam." |
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anto
Advanced Member
Serbia
21125 Posts
Member since 29/06/2008 |
Posted - 31/07/2020 : 18:00:45
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Dequier:Luka #1 - Prvi udarac (Strip-agent)
Dequier:Luka #2 - Licem u lice (Strip-agent)
Dequier:Luka #3 - Da bar ... (Strip-agent)
Bruno Dekjuir (jbmli ga kako se čita) je relativno mlad autor ('80.godište),kome je Luka,koliko vidim jedin strip na kome je do sada radio.Serijal je ongoing,zadnji,sedmi album je izašao pre nepunih godinu dana. I opet,šteta što ovo SA nije integralisao,prva četiri albuma čine prvu sezonu - nikako tu ne kapiram Bernarda zašto ove nove serijale (a ima tu što šta da se probere) radi u albumskoj,pojedinačnoj formi,samim tim prilično skupoj;jedino ako je nemoguće dobiti prava za integralnu opciju,ali kako Markos onda sve živo cepa u "debeloj" varijanti (osim jbnih Zekana i Tvrđi (i još ponečega),za koje ne može da dobije prava osim kao pojedinačne albume).
Elem,Luka je pre svega omladinski/dečiji strip, humorističko sportski,ali i za nas matore je sasvim dobar,pogotovu za one koima je fudbal u krvi (uopšte sport);meni barem jeste,a sinu je odličan,što će verovatno biti i vašim,ukoliko im ga nabavite,a što vam toplo preporučujem.
Luka je smotani klinac,kome ništa ne ide od ruke;ni u školi ni sa devojkama ni sa sportom;dok ga Natan,nešto stariji tip ne uzme u svoje ruke,te ga u svojstvu mentora počne obučavati u fudbalu,ali i za sam život.Natan je inače duh,koga samo Luka vidi i čuje,a zašto je to tako,još se ne zna.I dok pratimo Lukin život i njegove uspone i padove,kao druga usputna priča se odvija ona o Natanovoj prošlosti.
Nakon tri albuma,reći ću da sam zadovoljan serijalom (mlađariji će se tek svideti);sveukupno neka 4/5, a iako je klinačko serijal u pitanju,ima tu visprenih didaskalija i zanimljivih dešavanja,dok je crtež pravi "omadinski". |
Dajte nam Ralph Azhama;može i mekokoricen (ali u boji obavezno)! |
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anto
Advanced Member
Serbia
21125 Posts
Member since 29/06/2008 |
Posted - 31/07/2020 : 18:36:29
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Rener:Veliki zli lisac (Komiko)
Ako neki strip mogu,ali i moram da preporučim (od pročitanih u zadnjih 6 meseci i više),to bi bio definitivno ovaj.Odličan strip (5/5),koji mi je ponovo čitajući,postajao sve bolji i bolji,te mi je sad u grupi 5+/5.Pročitao ga je i sin od 13 godina,i njemu je jednako sjajan,krenuo je i ovaj mlađi od 9,ali njemu nije bio nešto preterano zanimljiv,ali najbolja fora je što ga je pročitala i supruga (pre toga je možda kompletno pročitala nekog Asteriksa,pre 5-6 godina) i totalno je pogođena,na kraju se dobro i isplakala.
Lisac je simpatičan lik koji se trudi da bude strašan i zao,ali ga na farmi niko je hebe ni pet posto - ni koke,ni prase i zeka,ni ker čuvar.Vuk ga ubeđuje da drpi nekoliko jaja,da se izlegnu piliće pa da ih pojedu;ali stvari ne krenu po planu,Lisac se veže za piliće i sve ode u nekom drugom smeru.
Šta reći - Benžamin Rener je uradiо samo ovaj strip,ali kakav!!! Sa oba aspekta izuzetan - crtački minimalistički,ali i kao takav prava perfekcija;dovoljno je samo videti kako autor pravi transformaciju lisca u vuka (dok se igra sa polićima na stranici 112).Za priču,ideju,izvođenje i dijaloge neću trošiti puno reči - sa svakim čitanjem uživaćate ponovo.Možda s'početka strip ne deluje da će biti bomba,ali kako odmiče videćete o čemu govorim.
Izdanje - tehnički sjajno,AMD je uradio odličan posao, a Čanak vispren i nadahnut kao u Popaju.Plus ћирилица!
NE PROPUSTITI !!! |
Dajte nam Ralph Azhama;može i mekokoricen (ali u boji obavezno)! |
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anto
Advanced Member
Serbia
21125 Posts
Member since 29/06/2008 |
Posted - 31/07/2020 : 19:28:43
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Himenez:Leo Roa (Komiko)
Posle sjajnih stripova,Lisca,jednepriče i Ledenog doba,ovaj Himenez mi je došao kao ladan tuš;i nikad mi neće biti jasno zašto Vuk ili bilo koji drugi izdavač izdaju ovake mediokritete.Ali dobro,verujem da ima ljudi koji uživaju u ovome.
Na stranu što je izdanje za svaku pohvalu,što je protraćeno vreme Ilija Čanka i što je Himenezov crtež sve sa sisama sjajan,scenaristički ovo je mnjah - Leo Roa je novinar u budućnosti,koji će sa svojim bratom od tetke,Mekom,proživljavati svakakve avanture kroz dva albuma skupljena u ovom integralu.
A o čemu se rade te avanture,da vam pošteno kažem,nemam pojma,strip sam pročitao pre nekoliko dana,a zaboravio već posle 5 minuta;a i dok sam ga čitao je sve bilo u nekim trenucima teže za praćenje;jedino znam da mi je prva priča (2.5/5) nešto bolja od druge (2/5) |
Dajte nam Ralph Azhama;može i mekokoricen (ali u boji obavezno)! |
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jagodanbg
Senior Member
2810 Posts
Member since 17/07/2019 |
Posted - 31/07/2020 : 19:39:01
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Potvrdjujem sve za Lea. Veeelika ocekivanja sam imao kad ono 'smuti pa prospi'.
Procitao jednom i brze bolje ga se resio. |
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DiSkAcH
Advanced Member
Croatia
6258 Posts
Member since 05/12/2016 |
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izivko
Advanced Member
Germany
12516 Posts
Member since 25/07/2003 |
Posted - 17/08/2020 : 23:06:56
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Gérard: Fünf Jahre am Rockzipfel von Depardieu, Reprodukt 2018, 160 str. / Gérard, cinq années dans les pattes de Depardieu 2017)
U prijevodu Pet godina uz Depardieuove skute.
Gérard Depardieu rođen je 1948 godine i vjerojatno je najpoznatiji živući Francuz. Glumio je sve i svakoga i snimao sa svim i svakim, ukupno preko 240 filmova.
U svojoj filmskoj karijeri dosegnuo je sve. Osebujna je ličnost i težak karakter, kratko je bio i Musliman, prijatelj je s Putinom, ima i rusku putovnicu, utajivač poreza i veliki gurman.
Za potrebe snimanje dokumentarca TV-kanal Arte šalje Depardieua u Kavkaz tragom književnika Alexandrea Dumasa. A kako je Dumasa prije 150 godina pratio jedan slikar, tako se u pratnji Depardieua našao crtač stripova Mathieu Sapin. I onda se rodila ideja za strip. Depardieu je imao samo jedan uvjet: „Ako radiš, onda radi kako valja, jasno! Nacrtaj me onakvim kakav jesam!“
Slijedilo je 5 godina druženja, uglavnom na putovanjima po cijelom svijetu.
- Koji različit par! (Sapin je ovaj lijevo.)
Sapin se dosad iskazao uglavnom kao strip kroničar poznatih suvremenika. Objavio je već nekoliko strip reportaža, između ostalih i o bivšem predsjedniku Hollandeu.
Radio je sa Sfarom, Sattoufom, Blainom, Trondheimom.
Intervju s autorom: http://www.comic.de/2018/03/er-ist-wie-ein-fleisch-gewordener-eiffelturm/
Eiffelov toranj od mesa
Svašta čitatelj ovdje dozna i to iz prve ruke: da je odrastao na ulici, bio u zatvoru, da su mu roditelji bili nepismeni, kako je pomogao pri porođaju troje svoje braće i sestara, o razmišljanjima o smrti, o ljudima od kojih mu se često povraća, o bolovima u leđima, o vožnji motorom, o uživanju u jelu (pravi Gal), o novcu, jedino skoro pa ništa o ljubavi.
Uvijek direktan i iskren, kaže ono što misli ne obazirući se previše na svoje okruženje. Prdi, podriguje, ždere, krade ručnike u hotelu, u kući hoda u gaćama, češe se po guzici, piša u avionu.
Tko ga do sada nije volio, nakon ovog stripa bi mu mogao postati simpatičan.
Crtež karikaturalan i pojednostavljen, s puno detalja, likovi su nacrtani s malo poteza ali živi, šarmantni i mili.
Odličan strip koji nudi smiješan i inteligentan portret jednog globalnog umjetnika i građanina svijeta te vrhunsku zabavu! I politički je nekorektan! Preporuka!
- Dodatne informacije na rubovima i izvan panela s raznim komentarima i pojašnjenjima.
- Očita je sličnost s Dumasom: 130 kila, 1 dvorac - 140 kila 2 dvorca
- Zajednički tuševi po uzoru na Ruse
- Još vruće vode!
- Samo čeznem za normalnim životom. A ovo je najbliže onome što zamišljam pod normalnim životom.
Obitelj. Biti s onima koje voliš i prihvatiti ih sa svim njihovim problemima. Slawa Russija!!!
- Cure koje su ovo ubole kažu da mi najbolje pristaje. Duh mačke (chat) u tijelu ko jastučić (pouf)
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Have mercy |
Edited by - izivko on 17/08/2020 23:08:22 |
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Red Marquis
Advanced Member
Serbia
3281 Posts
Member since 06/11/2017 |
Posted - 17/08/2020 : 23:17:17
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| I meni je 5 godina s Depardjeom prijatno iznenađenje bio. Prikaz haotičnog, izvan kontrole, one man show cirkusa što je Gerard Depardieu, ali teško je uprkos njegovom preteranom načinu života (u svakom vidu) ne zadržati neku vrstu simpatije prema njemu. |
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izivko
Advanced Member
Germany
12516 Posts
Member since 25/07/2003 |
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Vlaadisha
Advanced Member
USA
3513 Posts
Member since 21/07/2004 |
Posted - 19/08/2020 : 20:09:37
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procitao sam dva naizgled veoma razlicita stripa.
robin ha je skoro pa americka devojka koja "nosi svoje srce na rukavu" dok prica o novom zivotu u emigraciji. lako je navesti najdrazu mi scenu: ono kad autorka sva srecna otpakuje punu kutiju stripova iz rodne koreje. ali omiljene joj mange tek su delic njenog identiteta, koji ce biti rasturen u paramparcad pa ce ga ostatak zivota sklapati iznova. preporuka za sve tinejdzerke na forumu.
s druge strane, paco roca ilustruje ispovest pripadnika cete spanaca koji su prosli poraz u gradjanskom ratu, radni logor u africi ali i oslobadjanje pariza. inace ne volim kad ovakve price ne prica onaj ko ih nije proziveo (mislim da mi zato "marzi" recimo ne radi posao a "persepolis" da, dok je "maus" izuzetak)... no roca je imao dva resenja koja prave razliku. prvo, neprimetno prelazi iz treceg u prvo lice a kameru skoro uvek spusta na zemlju; efekat je, naravno, da smo se nasli medju vojnicima a nikad ne znas iza kog ugla vreba svaba. drugo, sadasnjost je siva i sva u tankoj liniji, dok je za proslost rezervisana cetkica i boja. tako prica ostaje ziva, cak i osamdeset godina kasnije. preporuka za sve muskarcine na forumu.
rekoh dva "naizgled razlicita" stripa jer je identitet glavna tema oba rada. no toliko za sada, da ne kvarimo ko nije citao. |
Edited by - Vlaadisha on 19/08/2020 20:11:49 |
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Red Marquis
Advanced Member
Serbia
3281 Posts
Member since 06/11/2017 |
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Poli
Advanced Member
Slovenia
38076 Posts
Member since 26/10/2007 |
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Vlaadisha
Advanced Member
USA
3513 Posts
Member since 21/07/2004 |
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Vlaadisha
Advanced Member
USA
3513 Posts
Member since 21/07/2004 |
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Vlaadisha
Advanced Member
USA
3513 Posts
Member since 21/07/2004 |
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izivko
Advanced Member
Germany
12516 Posts
Member since 25/07/2003 |
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Vlaadisha
Advanced Member
USA
3513 Posts
Member since 21/07/2004 |
Posted - 21/08/2020 : 21:07:41
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quote:
Originally posted by izivko
Ovo je po meni slabije njegovo djelo. Više dokumentarnog karaktera. Evo ovdje nekoliko tabli.
moguce, ali me tema dotice pa ocena vise na nevidjeno
thanks za linkove
a vidi onog aladina sto je tutta okacio
paco, vraze  |
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Vlaadisha
Advanced Member
USA
3513 Posts
Member since 21/07/2004 |
Posted - 22/08/2020 : 16:30:00
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quote:
Originally posted by Vlaadisha
prica o "maloj angoli", slobodnoj teritoriji odbeglih robova u brazilu
uglavnom drama, ono malo istorije je u tekstualnim prilozima
strip ima najcudniji pacing koji sam ikad video
od ovih 400 strana bi pratt napravio 200 postenih
iako mu je lepa ova suva cetkica
zavir: https://www.google.com/books/edition/Angola_Janga/Pc5kDwAAQBAJ?hl=en&gbpv=1
naleteo sam na jos jedan njegov strip, "cumbe" ili "run for it" u engleskom prevodu.
za onaj prvi mu je navodno trebalo jedanaest (!) godina istrazivanja, a fali mesa. u ovom drugom stripu napravio je zaokret u kratku pricu. ton i teme su kakve mozete ocekivati za minijature o zivotu robova na plantazi. mene je obradovalo sto su mu ritam i prelazi bolji, te je sad to jedan mnogo citljiviji strip. no kad se podvuce crta, sve je to premalo i prekasno, pa se bojim da cemo se d'salete i ja pozdraviti. |
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Vlaadisha
Advanced Member
USA
3513 Posts
Member since 21/07/2004 |
Posted - 22/08/2020 : 16:30:53
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u lokalnoj biblioteci postoji gomila novih grafickih novela o nedacama treceg sveta, i slutim da je to tek odraz globalnog trenda. nemam nista efikasno protiv angazovanog stripa kad je uradjen kako bog zapoveda, ali nekako su to mahom ziheraski naslovi potpisani od strane zapadnjaka i namenjeni njihovoj deci. uzgred, super mi je kako je crtac potpisan ispod scenarista i manjim fontom, iako je crtez jedino sto valja.
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procitao i (ne-) preporucujem
